More evidence that design is at the center of social innovation, and social innovation is what the world needs now.
Two inspiring authors have surfaced recently, one wrote thousands of years ago, one is an observer of our own time.
Gary Younge, has just written a book about the massive consequences of identity, and the role it plays in every aspect of our lives. Distinctions formed by identities that define “other” include racism in Britain, ethnicity in Rwanda, Islam and Christianity, gender as it’s played out in all its varieties, liberal, conservative and radical politics or religion anywhere, real estate in Israel and Palestine – to name but a few of the deadly distinctions. But those are just the extreme and easy-to-name examples. Identity creates “others” in far more seemingly benign ways, such as every enterprise that’s part of our capitalist system, every club, network or community on the internet, every city or town in the world, every family, nationality, generation and individual creature on the planet.
Identity, of course, is a good and necessary thing. Meg Wheatley describes it as one of the three dimensions of a living system and says, “Life organizes around a self; organizing is always an act of creating an identity… Identity is the filter that every organization uses to make sense of the world. New Information, new relationships, changing environments – all are interpreted through a sense of self.”
Identity has also traditionally been one of the mainstays of design – an unquestioned area of expertise that belonged solely to designers and could be counted onto bring in hefty fees – the bigger the company, the more they expected to pay for their identity. It became, before it was eroded by open source quick and dirty logos, a fairly standard process that delivered a fairly standard product, and the lasting outcome the client got for their money in the end was a logo and guidelines for how to use it.
I think about identity almost constantly, and it grows and takes on more importance for me all the time. Much of what I do with organizations now is about identity, but it rarely ends up as a logo. It has to do with helping them define, or remember, why they matter in a culture where the things that used to count don’t and where none of the old rules apply. It’s understanding how to inspire behavior through clarity of values and the communication of them in a way that makes people want to join in. It’s helping them align in more engaging ways with the identities of the people they count on to support them.
The name is the same but the challenge has shifted as our businesses and community leaders wake up to the need to engage society in their plans for the future. The stakes are higher, and it’s still design.
The other writing is an ancient poem that Steven Greenblatt brings back to life in the New Yorker. “On the Nature of Things” was written by Lucretius, who was born about a thousand years before Christ. His principle vision was “of atoms randomly moving in an infinite universe”, and if that were not prescient enough, he went on to argue that, “In a universe so constituted, it is absurd to think that the earth and its inhabitants occupy a central place, or that the world was purpose-built to accommodate human beings….There is no reason to set humans apart from other animals, no hope of bribing or appeasing the gods, no place for religious fanaticism, no call for ascetic self-denial, no justification for dreams of limitless power or perfect security, no rationale for wars of conquest or self-aggrandizement, no possibility of triumphing over nature. Instead, he wrote, human beings should conquer their fears, accept the fact that they themselves and all the things they encounter are transitory, and embrace the beauty and the pleasure of the world.”
Lucretius’ wild notion about atoms became scientific certainty 2,000 years later. On the other hand, his advice to us to see ourselves as part of the ecosystem of all creatures around us, stop fighting, conquer our fears and embrace the beauty and pleasure of the world is something that, as a species, we have so far failed.
The “living system” definition of identity has application far beyond the world of logos. It can be applied, as a design process, to all the potentially deadly forms of identity listed above. And it has the power to help create a larger and more diverse identity in which we can see others as part of ourselves.
It’s easy to forget beauty and pleasure when we’re trying so hard to create impact and change. But what a wonderful reminder from Lucretius that one of our greatest pleasures – creating beauty – is also one of the most powerful tools we have to create positive change.
Insights from from two writers 3,000 years apart, which none can address more successfully or fully than designers of social innovation.